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Mother Trailer Deutsch


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On 01.04.2020
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Und Ich.

Mother Trailer Deutsch

Mother Trailer Deutsch

Mother Trailer Deutsch

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Humans are a capable of a great amount of cruelty towards one another and that banality of evil, so to speak, is, truly, the scariest horror of all.

Not that I think that phrase, the banality of evil, applies to such a person like Francisca in this movie, but she fits the description of looking like a normal human being.

But, at least in Francisca's case, I don't think it should have been so much of a surprise that she did turn out the way she did.

For, you see, Francisca's mother was an ophthalmologist back in her homeland of Portugal. Franny's, as she's referred to by Charlie, mother taught her all about the composition of the eye and how similar cow's eyes are to ours and, like a strange little girl, Franny was completely fascinated by this.

In one of the more disturbing lines in the entire film, Franny tells Kimiko, someone she brings home from a bar, that, since she was little, she was always fascinated by what the inside of a human body looks like.

And, again, this was seemingly before Charlie, the murderous psychopath, came to her house and murdered her mother, when she was a young child.

So, to me, Franny was already messed up in the head prior to Charlie coming into her life and murdering her mother.

I just think the fact that Charlie murdered her mother helped speed everything up in Franny's own mind. Not that she started killing at that age, but she was definitely gonna head down that path at one point in her life, I just think it ended up being sooner in her life.

She, as a child, removes Charlie's eyeballs and vocal chords and keeps him chained up in this barn her father owns. She doesn't kill him because, she says, Charlie is her only friend.

And, for years, until Franny is an adult it seems, she has taken care of Charlie, she has fed him and 'looked' after him. The film moves forward in time to the day when Franny's father passes away and she is now an adult.

The thing about the movie is that, while it seems like nothing is really going on, given how it's paced and how there's not a lot of conventional dialogue, is that it really digs deep into the type of person that Franny is and the issues she faces.

It's a movie with a lot going in spite of its admittedly minimalist approach to its storytelling. There's only a few story beats here, but the movie gets as much as they can from them.

And it helps when you have such a compelling character as Franny as its core. She is not a woman that you like, in any way, but you find her completely fascinating.

I don't know, the way I perceive this character, I feel like she has severe abandonment issues. Given that her mother let Charlie in their house, when Franny was younger, maybe she feels that her mother abandoned her by letting this man, who ultimately killed her, in the house.

But, at the same time, Franny idolizes her mother and, in a sick and twisted way, all she does in the movie is an attempt to impress her mother and make her proud.

I feel that, what Franny is attempting to do, despite of how warped it may be, is to keep people from leaving her. That's literally her entire thing.

The only time she kills people is when they threaten to leave her. Rather than being abandoned, she would literally rather kill these people so, in a way, they will always be with her, no matter what.

I think that the ending of the movie is left purposely vague. Essentially, she kidnaps this baby and keeps the mother chained in the barn like she kept Charlie earlier on.

Fast forward a bit and the child has now grown to be around six or something. Long story short, the kid's mother escapes, with his help, and a truck finds her on the middle of the road.

The woman, apparently, with her eyes and vocal chords removed like Charlie, wrote down directions to the isolated farmhouse.

The end of the movie sees a squad of police cars arriving as Franny wakes up her "son" Antonio. She puts him behind her, grabs a knife and they both cower on the floor of this room on the second floor.

The cops come in, they tell her to put the knife down and Franny says, in Portuguese, that they'll never take her baby. Then the last shot of the movie is an aerial view of the house as you hear a gunshot from one of the policeman's shotguns.

The implication being that Franny did, in fact, kill Antonio before being taken down herself. I feel like this is what's most probable, because of the fact that Antonio is hiding behind Franny as the cops come into the room.

I don't think a cop, with a fucking shotgun, will risk harming Antonio just to get a shot at Franny. Either Franny lunged at them with a knife, which is probable, or, to me, the most likely scenario was that she stabbed Antonio and then she was shot.

Again, Franny's entire thing was the fact that she could not handle anyone abandoning her. And, whether Antonio meant it or not, with the cops' arrival, he was going to be taken from her.

Franny just couldn't let that be, so she took matters into her own hands and stabbed this kid to death. So, in a way, Antonio would always be hers, as I already mentioned.

Again, the movie is such where every theory is equally viable, but I do believe the theory I posited seems most likely.

Having said that, I thought this was a very good movie. I think its minimalist approach to its lead story, its cinematography and character helps add up adding to how disturbing everything is, even if the movie isn't as violent as, say, something like Ichi The Killer.

I do think, however, that the film leans towards more arthouse horror than, say, almost every other horror movie I've watched this movie, even more than Hereditary, so I do think that that's probably gonna limit its appeal.

But I did find this to be a really good movie, it does a very good job at creeping under your skin and staying there.

It's not perfect, of course, but it's still a damn good movie. I wouldn't give it a wholehearted recommendation since, as I mentioned, it's probably gonna be too arty for some, but I definitely liked this movie and that's what matters.

Jesse O Super Reviewer. Feb 05, Reminiscent of films like Excision and May. Gimly M Super Reviewer. See all Audience reviews.

There are no approved quotes yet for this movie. Best Horror Movies. Worst Superhero Movies. Best Netflix Series and Shows. Go back.

More trailers. The A Word. No Score Yet. The Goldbergs. The Conners. The Con. American Ninja Warrior. Tyler Perry's Sistas. American Housewife. Am Morgen erklärt die Frau, dass sie schwanger ist, wodurch die Schreibblockade des Autors wie durch ein Wunder verfliegt.

Einige Monate später sind die Schäden am Haus repariert und die mittlerweile hochschwangere Frau scheint wieder ihren Frieden gefunden zu haben.

Der Autor zeigt ihr sein nun vollendetes Werk und sie scheint sichtlich gerührt. Die Veröffentlichung des Werks ist ein voller Erfolg, was einige Menschen anlockt, um Autogramme zu erhaschen und sich von dem Autor inspirieren zu lassen.

Schnell jedoch eskaliert die Situation erneut. Dem Autor scheint das egal zu sein, denn das seien alles nur "Dinge". Er labt sich an der Bewunderung seiner Fans und missachtet erneut das Bedürfnis seiner hochschwangeren Frau nach Privatsphäre und Ruhe.

In dem von Chaos erfüllten Haus kippt die Situation allmählich ins Surreale , Panik bricht aus und die Polizei sowie eine Spezialeinheit stürmen.

Um den Autor gründet sich ein religiöser Kult, Menschen werden in Käfigen gehalten und einzelne hingerichtet, Konflikte und Gewalt brechen sich Bahn.

Der Autor rettet seine panische Frau im letzten Moment vor der marodierenden Meute und bringt sie in seinem Arbeitszimmer in Sicherheit. Dort gebiert sie einen Jungen.

Nach der Geburt verstummt die Menschenmasse plötzlich. Es werden Essen und Kleidung vor der Zimmertür abgelegt, welche der Autor vorsichtig hineinholt.

Als er seinen Sohn auch in den Arm nehmen möchte, verweigert dies seine Frau und fordert ihn auf, zuerst die Menschen zu vertreiben.

Er bleibt jedoch hartnäckig und setzt sich abwartend ihr gegenüber. Als die Frau erschöpft für einen Augenblick einnickt, nimmt der Autor das Kind an sich und präsentiert es der Menge.

Mit Schrecken stürmt die Mutter hinterher, um ihren Sohn wiederzubekommen. Das Baby wird unterdessen bereits durch die Menge gereicht und von dieser umgebracht.

Sie geht mit einer Glasscherbe auf einige Menschen los, wird aber von der Menge überwältigt, geschlagen und getreten.

Als der Autor zu Hilfe kommt und beteuert, dass ihm alles Leid tue und er den Tod ihres gemeinsamen Sohnes nicht vorhersehen konnte, hat die Mutter jedoch genug.

Sie läuft in den Keller des Hauses, wo sie im Heizraum den Öltank beschädigt. Sie zündet das auslaufende Öl an, wodurch das Haus samt der Menschenmenge und der Umgebung in einer gewaltigen Explosion zerstört werden.

Wie durch ein Wunder hat der Mann ohne einen Kratzer überlebt und trägt seine schwer verbrannte Frau nach oben, wo diese ihn auffordert, ihr noch das letzte zu nehmen, was sie geben kann.

The tests do not work, some people also received positive tests when they haven't even been tested. Also the sheeple are choosing to be tested because they are so brainwashed.

Good news is that the flu has almost completely disappeared from the world. Bad news, this new virus works exactly the same as the old flu.

Ugh old people comedy, which isn't comedy at all really and Maggie Grace, well I hate her guts in Fear The Walking Dead and hope she gets eaten soon.

Are there no actual blind actors in Hollywood to play a role. Why use a actor who can see.

Mother Trailer Deutsch

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MOTHER! Trailer German Deutsch (2017)

Mother Trailer Deutsch

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Step 2 of 2 How did you buy your ticket? Let's get your review verified. Fandango AMCTheatres. More Info. Submit By opting to have your ticket verified for this movie, you are allowing us to check the email address associated with your Rotten Tomatoes account against an email address associated with a Fandango ticket purchase for the same movie.

How did you buy your ticket? View All Videos 2. View All Photos Movie Info. Francisca Kika Magalhaes has been unfazed by death from an early age because her mother, formerly a surgeon in Portugal, imbued her with a thorough understanding of the human anatomy.

When tragedy shatters her family's idyllic life in the countryside, her deep trauma gradually awakens some unique curiosities.

As she grows up, her desire to connect with the world around her takes a distinctly dark form. Nicolas Pesce. Mar 7, Kika Magalhaes Francisca.

Will Brill Charlie. Olivia Bond Young Francisca. Paul Nazak Father. Clara Wong Kimiko. Flora Diaz Lucy.

Diana Agostini Mother. Joey Curtis-Green Antonio. Nicolas Pesce Director. Nicolas Pesce Screenwriter. Max Born Producer. Schuyler Weiss Producer. Jacob Wasserman Producer.

Antonio Campos Executive Producer. Julie Christeas Executive Producer. Sean Durkin Executive Producer. Josh Mond Executive Producer. Avi Stern Executive Producer.

December 15, Rating: 2. July 3, Rating: C Full Review…. April 28, Full Review…. April 19, Rating: 4. June 13, Rating: 3.

June 4, Rating: 3. View All Critic Reviews Oct 29, If it wasn't for the fact that I had no power yesterday, this would have been the movie that I watched.

I wasn't gonna let those fuckers at the electric company ruin my October horror fest, so I watched it earlier today and I'm gonna watch The Killing Ground in a bit, so I'm still on schedule to make 31 movies this month.

Like I said, I'm not gonna let those fuckers win. With that said, and this is probably a recurring theme in these reviews about horror movies that could, conceivably, portray events that could actually happen in real life.

I feel like those tend to be some of the most effective, memorable and haunting horror movies. Not saying they have a monopoly on great horror movies, of course, but, to me, I've never found supernatural horror movies that scary, not that they can't be, but they've just never scared me.

Same thing goes for slashers. That's not to say I don't enjoy these films, but they just don't really scare me. What does scare me, however, are not the made-up monsters, but the monsters that hide behind faces like yours and mine.

Regular people, people that might even be some of your friends. Humans are a capable of a great amount of cruelty towards one another and that banality of evil, so to speak, is, truly, the scariest horror of all.

Not that I think that phrase, the banality of evil, applies to such a person like Francisca in this movie, but she fits the description of looking like a normal human being.

But, at least in Francisca's case, I don't think it should have been so much of a surprise that she did turn out the way she did. For, you see, Francisca's mother was an ophthalmologist back in her homeland of Portugal.

Franny's, as she's referred to by Charlie, mother taught her all about the composition of the eye and how similar cow's eyes are to ours and, like a strange little girl, Franny was completely fascinated by this.

In one of the more disturbing lines in the entire film, Franny tells Kimiko, someone she brings home from a bar, that, since she was little, she was always fascinated by what the inside of a human body looks like.

And, again, this was seemingly before Charlie, the murderous psychopath, came to her house and murdered her mother, when she was a young child.

So, to me, Franny was already messed up in the head prior to Charlie coming into her life and murdering her mother.

I just think the fact that Charlie murdered her mother helped speed everything up in Franny's own mind. Not that she started killing at that age, but she was definitely gonna head down that path at one point in her life, I just think it ended up being sooner in her life.

She, as a child, removes Charlie's eyeballs and vocal chords and keeps him chained up in this barn her father owns.

She doesn't kill him because, she says, Charlie is her only friend. And, for years, until Franny is an adult it seems, she has taken care of Charlie, she has fed him and 'looked' after him.

The film moves forward in time to the day when Franny's father passes away and she is now an adult. The thing about the movie is that, while it seems like nothing is really going on, given how it's paced and how there's not a lot of conventional dialogue, is that it really digs deep into the type of person that Franny is and the issues she faces.

It's a movie with a lot going in spite of its admittedly minimalist approach to its storytelling. There's only a few story beats here, but the movie gets as much as they can from them.

And it helps when you have such a compelling character as Franny as its core. She is not a woman that you like, in any way, but you find her completely fascinating.

Available to download. This movie is Ominous, Suspenseful. More Originals. Coming Soon. The House. This surreal animated anthology series follows three generations of families who inhabit the same otherworldly house.

Ewan McGregor stars in this limited series that tracks the meteoric rise and fall of the first American celebrity fashion designer. From Ryan Murphy.

Daraufhin scheint die Handlung von vorn zu beginnen, das Haus regeneriert sich wie durch ein Wunder und im Bett erwacht eine neue Frau.

Die Produktionskosten beliefen sich auf 30 Mio. Regie führte Darren Aronofsky , der auch das Drehbuch zum Film schrieb. Aronofsky widmete sich mit Mother!

Lawrence und Aronofsky, die sich bei den Dreharbeiten kennenlernten, begannen in dieser Zeit eine Beziehung und zeigten sich wenige Monate nach Ende der Dreharbeiten gemeinsam als Paar in der Öffentlichkeit.

Juni begonnen und am August beendet. Auf einem im Mai veröffentlichten Filmplakat ist Lawrence in einem Rahmen aus Blumen zu sehen und trägt in ihren blutüberströmten Händen ihr Herz.

Der Film feierte am 5. September im Rahmen der Filmfestspiele in Venedig seine Premiere, wo er im Hauptwettbewerb gezeigt wurde.

Die Geschichte entfernt sich dabei immer mehr von der Realität und wird zunehmend surreal etwa wenn eine Art blutiger Bürgerkrieg im Haus ausbricht.

Jugendliche ab 16 Jahren sind auf Grund ihres Entwicklungsstands in der Lage, die absurd-alptraumhaften Geschehnisse zu verkraften.

Sie können auch die Gewaltszenen z. In dramaturgischer Hinsicht gebe es mehrere klaffende Lücken, vor allem das unerklärliche Verschwinden einzelner Figuren, so McCarthy.

Tobias Kniebe von der Süddeutschen Zeitung sagt, dies sei ein Film, der geliebt oder gehasst werden will, gleichgültig werde er seine Zuschauer eher nicht entlassen.

Und je mehr sie ihn festhalten will, desto mehr verstärkt sie seine Fluchtinstinkte. Auch Andreas Busche vom Tagesspiegel weist in seiner Kritik auf die vielfachen Deutungsmöglichkeiten des Films hin, nicht nur in religiöser oder psychologischer Hinsicht, sondern auch in politischer.

Dennoch bliebe Mother! Irgendwann hat man verstanden, dass der Film nicht auf eine Erlösung hinausläuft, sondern in der Horrorlogik des Torture-Porn immer nur neue Schockbilder akkumuliert.

Internationale Filmfestspiele von Venedig Goldene Himbeere Film Deutscher Titel mother!

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